Untitled 1, mutated squares serie,
acrilyc on wooden board, 90 x 90 cm, 2004

Untitled 8, digital wall paper serie,
digital print, 287x300 cm, 2002

[mutated square] & [digital wallpaper] series

are two series from a visual research started in 2002.
Sharing the same algorithmic process on the computer, both series are meant to be
deployed in the real space as wall paper, wall painting, canvas and combination of several techniques.

[mutated squares]
A group of few pixels are cloned and undergoe mutation - each new pixel get a shifted hue and a shifted position, resulting in a cluster of pixels organized according specific relation rules: each colored zone is deployed around a center/a node. The general pattern find its dynamics among the complex connection of the different zone and the remaing untouched and blank white space. A final magnification makes the geometric structure expandable to any surface or space. The result can be seen as a maze or network with implies logic of circulation.

[digital wallpaper]
A similar process as above using large group of pixels extracted from digital photos captured from the news media on internet.
The result is a complex and moired structure made of thousands of parallel lin\es.


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[flooring#1]
acrylic paint, wood, acrylic boards, 15 m x 15 m, 2006
"recombination, connection " exhibition, Pier-2 Art, Kaohsiung, Taiwan, nov-dec 2006

This piece is based on the "mutated square" serie and was made during the council elections in Taiwan. The two main political parties - the Democratic Progressive Party and the Kuomintang- have respectively choosen the green and the blue color for their icons. In the installation, colored transparent walls filter the sun light in blue and green, and distort the geometric shape on the floor with multiple reflections.

[oto no michi]
public artwork, 30 x 2m, 2003
digital print and acrylic paint

Public Art piece commisioned by Art Front Gallery (Tokyo) for Sapporo JR Central Station. The piece is composed of a 2 meters high by 30 meters long digital print, divided in 11 panels and 10 monochrome painted doors. Set in a 70 meters long corridor, passersby apprehend the dynamic of that piece by walking.