{"id":11,"date":"2015-02-26T01:36:53","date_gmt":"2015-02-26T01:36:53","guid":{"rendered":"https:\/\/www.iamas.ac.jp\/vhost\/library\/?page_id=11"},"modified":"2022-12-16T12:09:56","modified_gmt":"2022-12-16T03:09:56","slug":"periodical","status":"publish","type":"page","link":"https:\/\/www.iamas.ac.jp\/lib\/periodical","title":{"rendered":"\u65b0\u805e\u30fb\u96d1\u8a8c\u4e00\u89a7"},"content":{"rendered":"
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\u65b0\u805e\u540d<\/th>\r\n\u51fa\u7248\u793e<\/th>\r\n\u767a\u884c\u983b\u5ea6<\/th>\r\n\u4fdd\u5b58\u671f\u9593<\/th>\r\n<\/tr>\r\n<\/thead>\r\n
\u671d\u65e5\u65b0\u805e<\/td>\r\n\u671d\u65e5\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u5c90\u961c\u65b0\u805e<\/td>\r\n\u5c90\u961c\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u4e2d\u65e5\u65b0\u805e<\/td>\r\n\u4e2d\u65e5\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u6bce\u65e5\u65b0\u805e<\/td>\r\n\u6bce\u65e5\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u8aad\u58f2\u65b0\u805e<\/td>\r\n\u8aad\u58f2\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u65e5\u672c\u7d4c\u6e08\u65b0\u805e<\/td>\r\n\u65e5\u672c\u7d4c\u6e08\u65b0\u805e\u793e<\/td>\r\n\u65e5\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n
\u65e5\u7d4cMJ\uff08\u6d41\u901a\u65b0\u805e\uff09<\/td>\r\n\u65e5\u672c\u7d4c\u6e08\u65b0\u805e\u793e<\/td>\r\n\u90313\u56de\u520a<\/td>\r\n3\u30f6\u6708<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u65b0\u805e\u306f\u3059\u3079\u3066\u671d\u520a\u306e\u307f\u3067\u3059\u3002<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n

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\u548c\u96d1\u8a8c<\/h4>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u96d1\u8a8c\u540d<\/th>\r\n\u983b\u5ea6<\/th>\r\n\u6240\u8535\u5dfb\u53f7<\/th>\r\n\u4fdd\u5b58\u5e74\u9650<\/th>\r\n<\/tr>\r\n<\/thead>\r\n
\u30a2\u30a4\u30c7\u30a2<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.53 no.2\uff082006.3\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Axis<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.54\uff08Winter 1995\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Illustration<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.164\uff082007.3\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Web designing<\/td>\r\n\u6708\u520a<\/td>\r\nVol.4 no.8\uff082004.8\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u6620\u753b\u82b8\u8853<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.62 no.2\uff082012 Spring\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u6620\u50cf\u5b66<\/td>\r\n\u5e742\u53f7<\/td>\r\nNo.1\uff081975.1\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
A\uff0bU \uff08\u30a8\u30fc\u30fb\u30a2\u30f3\u30c9\u30fb\u30e6\u30fc\uff09<\/td>\r\n\u6708\u520a<\/td>\r\nNo.310\uff081996.7\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u5b63\u520a\u30a8\u30b9<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.3 no.4\uff08Autumn 2005\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u5b63\u520a\u5730\u57df<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.13\uff08Spring 2013\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u85dd\u8853\u65b0\u6f6e<\/td>\r\n\u6708\u520a<\/td>\r\nVol.71 no.5\uff082020.5\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u73fe\u4ee3\u601d\u60f3<\/td>\r\n\u6708\u520a<\/td>\r\nVol.40 no.5\uff082012.4\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u73fe\u4ee3\u8a69\u624b\u5e16<\/td>\r\n\u6708\u520a<\/td>\r\nVol.58 no.5\uff082015.5\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u5efa\u7bc9\u96d1\u8a8c<\/td>\r\n\u6708\u520a<\/td>\r\nVol.130 no.1671\uff082015.5\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u5e83\u544a<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.43 no.1\uff082002.5-6\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Sound \uff06 recording magazine<\/td>\r\n\u6708\u520a<\/td>\r\nVol.15 no.9\uff081996.7\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u56db\u6708\u3068\u5341\u6708<\/td>\r\n\u5e742\u53f7<\/td>\r\nNo.13\uff082005.1\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
CG world \uff06 digital video<\/td>\r\n\u6708\u520a<\/td>\r\nVol.1\uff081998.7\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u601d\u60f3<\/td>\r\n\u6708\u520a<\/td>\r\nNo.1081\uff082014.5\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u60c5\u5831\u51e6\u7406<\/td>\r\n\u6708\u520a<\/td>\r\nVol.51 no.4\uff082010.4\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
GA Japan<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.17\uff081995.11-12\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Studio voice<\/td>\r\n\u6708\u520a<\/td>\r\nVol.247\uff081996.7\uff09 – Vol.405\uff082009.9\uff09,Vol.406\uff082015.4\uff09 –<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u88c5\u82d1<\/td>\r\n\u6708\u520a<\/td>\r\nVol.70 no.10\uff082015.10\uff09 –<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30bd\u30c8\u30b3\u30c8<\/td>\r\n\u6708\u520a<\/td>\r\nVol.4 no.5\uff082002.5\uff09 – Vol.11 no.4\uff082009.4\uff09, Vol.16 no.4\uff082014.4\uff09 –<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30c8\u30e9\u30f3\u30b8\u30b9\u30bf\u6280\u8853<\/td>\r\n\u6708\u520a<\/td>\r\nVol.44 no.4\uff082007.4\uff09-<\/td>\r\n1\u5e74<\/td>\r\n<\/tr>\r\n
\u30c8\u30e9\u30f3\u30b8\u30b9\u30bf\u6280\u8853 Special<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.1\uff081987.1\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u65e5\u7d4c\u30c7\u30b6\u30a4\u30f3<\/td>\r\n\u6708\u520a<\/td>\r\nNo.340\uff082015.10\uff09 –<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u65e5\u672c\u30d0\u30fc\u30c1\u30e3\u30eb\u30ea\u30a2\u30ea\u30c6\u30a3\u5b66\u4f1a\u8a8c<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.11 no.1\uff082006\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u65e5\u672c\u30d0\u30fc\u30c1\u30e3\u30eb\u30ea\u30a2\u30ea\u30c6\u30a3\u5b66\u4f1a\u8ad6\u6587\u8a8c<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.11 no.1\uff082006\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30d2\u30e5\u30fc\u30de\u30f3\u30a4\u30f3\u30bf\u30d5\u30a7\u30fc\u30b9\u5b66\u4f1a\u8a8c<\/td>\r\n\u5e748\u53f7<\/td>\r\nVol.8 no.1\uff082006\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u7f8e\u8853\u624b\u5e16<\/td>\r\n\u6708\u520a<\/td>\r\nVol.45 no.671\uff081993.6\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30d3\u30c7\u30aaSALON<\/td>\r\n\u6708\u520a<\/td>\r\nVol.63 no.4\uff082012.4\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
+81<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.64\uff08Summer 2014\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30d6\u30ec\u30fc\u30f3<\/td>\r\n\u6708\u520a<\/td>\r\nVol.43 no.4\uff082003.4\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Mac Fan<\/td>\r\n\u6708\u520a<\/td>\r\nVol.18 no.6\uff082010.6\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
\u30e6\u30ea\u30a4\u30ab<\/td>\r\n\u6708\u520a<\/td>\r\nVol.44 no.4\uff082012.4\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Rear<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.3\uff08Summer 2003\uff09-No.10\uff08Spring 2005\uff09, No.12\uff082005\uff09-No.20\uff082009\uff09, No.22\uff082009.10\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Wired<\/td>\r\n\u4e0d\u5b9a\u671f<\/td>\r\nVol.7 (2013.4), Vol.12 (2014.7) –<\/td>\r\n <\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u6d0b\u96d1\u8a8c<\/h4>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u96d1\u8a8c\u540d<\/th>\r\n\u983b\u5ea6<\/th>\r\n\u6240\u8535\u5dfb\u53f7<\/th>\r\n\u4fdd\u5b58\u5e74\u9650<\/th>\r\n<\/tr>\r\n<\/thead>\r\n
Art in America<\/td>\r\n\u6708\u520a<\/td>\r\nVol.90 no.3\uff082002.3\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Artificial life<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.7 no.1\uff08Winter 2001\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Baseline<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.36\uff082002\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Computer music journal<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.20 no.1\uff08Spring 1996\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Creative review<\/td>\r\n\u6708\u520a<\/td>\r\nVol.32 no.3\uff08Mar-12\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Design issues<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.35 no.1\uff08Winter 2019\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Domus<\/td>\r\n\u5e7411\u53f7<\/td>\r\nNo.827\uff082000.6\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Eye<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.43\uff08Spring 2002\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Flash art International<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.204\uff081999.1-2\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Make:<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.1\uff082005.2\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Neural<\/td>\r\n\u5e743\u53f7<\/td>\r\nNo.22\uff082005\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
October<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.163\uff08Winter 2018\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n
Presence<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.9 no.1\uff082000.2\uff09-<\/td>\r\n <\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u8cfc\u5165\u3092\u4e2d\u6b62\u3001\u4f11\u520a\u3057\u305f\u96d1\u8a8c<\/h4>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u96d1\u8a8c\u540d<\/th>\r\n\u983b\u5ea6<\/th>\r\n\u6240\u8535\u5dfb\u53f7<\/th>\r\n<\/tr>\r\n<\/thead>\r\n
Art it<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.1 no.1 – Vol.7 no.3<\/td>\r\nFall \/ Winter 2003 – Summer 2009<\/td>\r\n<\/tr>\r\n
Inter communication<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.1 No.1 – Vol.17 no.3<\/td>\r\nSpring 1992 – Summer 2008<\/td>\r\n<\/tr>\r\n
Web site expert<\/td>\r\n\u4e0d\u5b9a\u671f<\/td>\r\nNo.10 – No.23<\/td>\r\n2007.2 – 2009.5<\/td>\r\n<\/tr>\r\n
MdN<\/td>\r\n\u6708\u520a<\/td>\r\nNo.32 – No.298<\/td>\r\n1996.7-8 – 2019.4<\/td>\r\n<\/tr>\r\n
Elle deco<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.9 no.1 – Vol.18 no.2<\/td>\r\n2000.2 – 2009.4<\/td>\r\n<\/tr>\r\n
\u5e83\u544a\u6279\u8a55<\/td>\r\n\u6708\u520a<\/td>\r\nNo.314 – No.336<\/td>\r\n2007.5 – 2009.4<\/td>\r\n<\/tr>\r\n
Comickers<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.30 – No.44<\/td>\r\n2001 Autumn – 2005 Spring<\/td>\r\n<\/tr>\r\n
Comickers art style<\/td>\r\n\u5e742\u53f7<\/td>\r\nVol.1 – Vol.7<\/td>\r\n2005.11 – 2008.12<\/td>\r\n<\/tr>\r\n
Cmagazine<\/td>\r\n\u6708\u520a<\/td>\r\nVol.8 no.12 – Vol.18 no.4<\/td>\r\n1996.12 – 2006.4<\/td>\r\n<\/tr>\r\n
Cinefex<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.1 – No.36<\/td>\r\n2006.6 – 2015.3<\/td>\r\n<\/tr>\r\n
\u4eba\u5de5\u77e5\u80fd\u5b66\u4f1a\u8a8c<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.15 no.1 – Vol.24 no.2<\/td>\r\n2000.1 – 2009.3<\/td>\r\n<\/tr>\r\n
GA houses<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.62 – No.109<\/td>\r\n2000 – 2009<\/td>\r\n<\/tr>\r\n
10\uff0b1 \uff08\u30c6\u30f3\u30fb\u30d7\u30e9\u30b9\u30fb\u30ef\u30f3\uff09<\/td>\r\n\u5b63\u520a<\/td>\r\nNo.1 – No.50<\/td>\r\nSpring 1994 – 2008<\/td>\r\n<\/tr>\r\n
Dictionary<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.73 – No.126<\/td>\r\n2000.4 – 2009.2<\/td>\r\n<\/tr>\r\n
DV Japan<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.16 – Vol.35<\/td>\r\n2005.3-5 – 2008.6-7<\/td>\r\n<\/tr>\r\n
D\/sign \uff08\u30c7\u30b6\u30a4\u30f3\uff09<\/td>\r\n\u4e0d\u5b9a\u671f<\/td>\r\nNo.1-No.18<\/td>\r\n2001.8-2010.10<\/td>\r\n<\/tr>\r\n
Design \uff08\u30c7\u30b6\u30a4\u30f3\u30fb\u30af\u30a9\u30fc\u30bf\u30ea\u30fc\uff09<\/td>\r\n\u4e0d\u5b9a\u671f<\/td>\r\nNo.1 – No.5<\/td>\r\nAutumn 2005 – Winter 2007<\/td>\r\n<\/tr>\r\n
\u96fb\u5b50\u60c5\u5831\u901a\u4fe1\u5b66\u4f1a\u8ad6\u6587\u8a8c. A\r\n\u57fa\u790e\u30fb\u5883\u754c<\/td>\r\n\u6708\u520a<\/td>\r\nNo.385 – No.507<\/td>\r\n2000.1 – 2010.3<\/td>\r\n<\/tr>\r\n
\u96fb\u5b50\u60c5\u5831\u901a\u4fe1\u5b66\u4f1a\u8ad6\u6587\u8a8c. D\r\n\u60c5\u5831\u30fb\u30b7\u30b9\u30c6\u30e0<\/td>\r\n\u6708\u520a<\/td>\r\nVol.89 no.1 – Vol.97 no.3<\/td>\r\n2006.1 – 2014.3<\/td>\r\n<\/tr>\r\n
\u96fb\u5b50\u60c5\u5831\u901a\u4fe1\u5b66\u4f1a\u8ad6\u6587\u8a8c. D-\u2161\r\n\u60c5\u5831\u30fb\u30b7\u30b9\u30c6\u30e0 \u2161-\u30d1\u30bf\u30fc\u30f3\u51e6\u7406<\/td>\r\n\u6708\u520a<\/td>\r\nVol.83 no.1 – Vol.88 no.12<\/td>\r\n2000.1 – 2005.12<\/td>\r\n<\/tr>\r\n
\u653e\u9001\u6280\u8853<\/td>\r\n\u6708\u520a<\/td>\r\nVol.58 no.4\u3000- Vol.68 no.4<\/td>\r\n2005.4 – 2015.4<\/td>\r\n<\/tr>\r\n
ACM transactions on computer-human interaction<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.3 no.1 – Vol.15 no.4<\/td>\r\n1996.3 – 2008<\/td>\r\n<\/tr>\r\n
Art news<\/td>\r\n\u6708\u520a<\/td>\r\nVol.101 no.3 – Vol.103 no.2<\/td>\r\n2002.3 – 2004.2<\/td>\r\n<\/tr>\r\n
Art press<\/td>\r\n\u6708\u520a<\/td>\r\nNo.308 – No.351<\/td>\r\n2005.1 – 2008.12<\/td>\r\n<\/tr>\r\n
Ballet tanz<\/td>\r\n\u6708\u520a<\/td>\r\n <\/td>\r\n1998.1 – 2003.12<\/td>\r\n<\/tr>\r\n
Blind spot<\/td>\r\n\u5e743\u53f7<\/td>\r\nNo.33 – No.48<\/td>\r\n2006 – 2014<\/td>\r\n<\/tr>\r\n
Colors<\/td>\r\n\u5e743\u53f7<\/td>\r\nVol.68 – Vol.79<\/td>\r\nWinter 2006\/2007 – Winter 2010\/2011<\/td>\r\n<\/tr>\r\n
Communications of the ACM<\/td>\r\n\u6708\u520a<\/td>\r\nVol.39 no.1 – Vol.46 no.12<\/td>\r\n1996.1 – 2003.12<\/td>\r\n<\/tr>\r\n
Computer aided geometric design<\/td>\r\n\u5e749\u53f7<\/td>\r\nVol.19 no.1 – Vol.26 no.2<\/td>\r\n2002.1 – 2009.2<\/td>\r\n<\/tr>\r\n
Computer graphics forum<\/td>\r\n <\/td>\r\nVol.15 no.1 – Vol.18 no.4<\/td>\r\n1996.3 – 1999.12<\/td>\r\n<\/tr>\r\n
Computer graphics world<\/td>\r\n\u6708\u520a<\/td>\r\nVol.20 no.1 – Vol.26 no.12<\/td>\r\n1997.1 – 2003.12<\/td>\r\n<\/tr>\r\n
Computer-aided design<\/td>\r\n\u6708\u520a<\/td>\r\nVol.34 no.1 – Vol.37 no.2<\/td>\r\n2002.1 – 2005.2<\/td>\r\n<\/tr>\r\n
Computers & graphics<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.26 no.1 – Vol.30 no.1<\/td>\r\n2002.2 – 2006.2<\/td>\r\n<\/tr>\r\n
Computing reviews<\/td>\r\n\u6708\u520a<\/td>\r\nVol.37 no.1 – Vol.40 no.12<\/td>\r\n1996.1 – 1999.12<\/td>\r\n<\/tr>\r\n
Electronic musician<\/td>\r\n\u6708\u520a<\/td>\r\nVol.12 no.6 – Vol.25 no.3<\/td>\r\n1996.6 – 2009.3<\/td>\r\n<\/tr>\r\n
Evolutionary computation<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.4 no.1 – Vol.13 no.4<\/td>\r\nSpring 1996 – Winter 2005<\/td>\r\n<\/tr>\r\n
I.D.<\/td>\r\n\u5e748\u53f7<\/td>\r\nVol.49 no.1 – Vol.57 no.1<\/td>\r\n2002.2 – 2010.2<\/td>\r\n<\/tr>\r\n
IEEE computer graphics & applications magazine<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.16 no.1 – Vol.29 no.6<\/td>\r\n1996.1 – 2009.11-12<\/td>\r\n<\/tr>\r\n
IEEE multimedia<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.3 no.1 – Vol.15 no.4<\/td>\r\nSpring 1996 – 2008.10-12<\/td>\r\n<\/tr>\r\n
IEEE transactions on neural netwarks<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.8 no.1 – Vol.10 no.6<\/td>\r\n1997.1 – 1999.11<\/td>\r\n<\/tr>\r\n
IEEE transactions on visualization and computer graphics<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.2 no.1 – Vol.16 no.6<\/td>\r\n1996.3 – 2010.11-12<\/td>\r\n<\/tr>\r\n
Journal of new music research<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.25 no.1 – Vol.37 no.4<\/td>\r\n1996.3 – 2008.12<\/td>\r\n<\/tr>\r\n
Key board<\/td>\r\n\u6708\u520a<\/td>\r\nNo.242 – No.333<\/td>\r\n1996.6 – 2003.12<\/td>\r\n<\/tr>\r\n
L’Architecture d’aujourd’hui<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nNo.338 – No.373<\/td>\r\n2002.1-2 – 2007.11-12<\/td>\r\n<\/tr>\r\n
Leonardo<\/td>\r\n\u5e745\u53f7<\/td>\r\nVol.32 no.1-Vol.51 no.5<\/td>\r\n1999 – 2018<\/td>\r\n<\/tr>\r\n
Leonardo music journal<\/td>\r\n\u5e741\u53f7<\/td>\r\nVol.6 – Vol.28<\/td>\r\n1996 – 2018<\/td>\r\n<\/tr>\r\n
Mute<\/td>\r\n\u5b63\u520a<\/td>\r\nVol.2 no.2 – Vol.2 no.14<\/td>\r\n2006 – 2009<\/td>\r\n<\/tr>\r\n
Print<\/td>\r\n\u9694\u6708\u520a<\/td>\r\nVol.64 no.1-Vol.71 no.4<\/td>\r\n2010-2017<\/td>\r\n<\/tr>\r\n
Scientific American<\/td>\r\n\u6708\u520a<\/td>\r\nVol.276 no.3 – Vol.291 no.5<\/td>\r\n1997.3 – 2004.11<\/td>\r\n<\/tr>\r\n
Wired<\/td>\r\n\u6708\u520a<\/td>\r\nVol.14 no.1 – Vol.18 no.2<\/td>\r\n2006.1 – 2010.2<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

\u65b0\u805e \u65b0\u805e\u540d \u51fa\u7248\u793e \u767a\u884c\u983b\u5ea6 \u4fdd\u5b58\u671f\u9593 \u671d\u65e5\u65b0\u805e \u671d\u65e5\u65b0\u805e\u793e \u65e5\u520a 3\u30f6\u6708 \u5c90\u961c\u65b0\u805e \u5c90\u961c\u65b0\u805e\u793e \u65e5\u520a 3\u30f6\u6708 \u4e2d\u65e5\u65b0\u805e \u4e2d\u65e5\u65b0\u805e\u793e \u65e5\u520a 3\u30f6\u6708 \u6bce\u65e5\u65b0\u805e \u6bce\u65e5\u65b0\u805e\u793e \u65e5\u520a 3\u30f6\u6708 \u8aad\u58f2\u65b0\u805e \u8aad\u58f2\u65b0\u805e\u793e \u65e5\u520a 3\u30f6\u6708 […]<\/p>\n

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